Anne Nielsen
Duplicates, Dispersal and Disposal in Museums
Duplicates, Dispersal and Disposal in Museums
Healing women: Early modern women as healers in their own texts, practices and representations
Developing semi-permanent design displays in an era of rapid climate change
How do exhibitions of colonialism in museums mediate historical trauma?
Decolonisation guidance and its impact on museum learning practice
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
Where are all the Lesbians? In search of Lesbian Lives in Museums.
The Geographical Museum: Making Knowledge through Objects
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Mia san Mia and Bergkamp in Marseille: Language and identity in football locales
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Changing Places: Evaluating the socio-cultural impact and experiential change of the new Museum of London in Smithfield
The 'Lost' Museum: The rise and fall of the British Empire in objects
The Biocultural Diaspora of Tea in the 21st Century
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Listening in From the Museum
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum