Jaspreet Nijjar
Investigating ‘The Masculine Female Grotesque’ in Narrative and U.S. Women’s Prisons Through Orange is The New Black (2013-)
Investigating ‘The Masculine Female Grotesque’ in Narrative and U.S. Women’s Prisons Through Orange is The New Black (2013-)
The First Step or Short Vision?: The Influence of the British Film Institute on British Women’s Filmmaking
Transnational filmmaking and national identity in contemporary Cuban cinema (2000-2020)
Design practices and transgender agency in video games in independent and mainstream contexts (2005-2022)
The politics of memory in Alsace: Nationalisation and gender in the aftermath of the Second World War
Confronting Environmental Melancholia: A Dramaturgical Examination of Environmental Protest through the Making of Verbatim Theatre
You’re Havin’ a Class! An exploration of the experiences of working-class scripted television comedy writers
Double Wound: Writing (Nepali) Women, Sexual Violence and Trauma
Middle-class subjectivity and moral value in popular British screen fantasy
Chrysalis Boy - An Autoethnographic Investigation Of The Workings Of Exclusion
Media representations and lived experiences of working-class women’s unpaid domestic labour
Changing Places: Evaluating the socio-cultural impact and experiential change of the new Museum of London in Smithfield
The Covent Garden Ladies: Life Beyond Harris’s List
Reconfiguring the boundaries of self and state in the PRC: Metaverse, Social Credit, and Ethnicity
Beyond The State: State Resistance & The Culture of Autonomy in Barbacha, Algeria
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
Resistance, Collaboration, and the Spaces in Between: the Internment of British Citizens in France, 1935-1955