Carmen Andall Woodroofe
A ‘decolonial green’ aesthetic: how roots reggae reflects and constructs Caribbean and Caribbean diasporic listeners’ practices and attitudes towards sustainability.
A ‘decolonial green’ aesthetic: how roots reggae reflects and constructs Caribbean and Caribbean diasporic listeners’ practices and attitudes towards sustainability.
The Shaheen Bagh Protests (15 December 2019 - 24 March 2020): Coloniality, Epistemic Resistance, and Decoloniality in Present-day BJP-led India
How do exhibitions of colonialism in museums mediate historical trauma?
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
Crafting counter-hegemony: using porcelain to interrogate constructed ideologies of whiteness and empire
Duplicates, Dispersal and Disposal in Museums
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
Dispossessing Bodies: Resisting the Violence of Property
Beyond The State: State Resistance & The Culture of Autonomy in Barbacha, Algeria
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Towards a decolonized future examining the meaning of solidarity alliance in settler states