Charlotte Fox
The Author is Present: Contemporary Bio-Memoir (2010-2020)
The Author is Present: Contemporary Bio-Memoir (2010-2020)
Figuring Out in Spenser and Late Shakespeare: Obscure Life and Spectatorship
Cleopatra Stories and Community Engagement
Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
Dyeing to become whole: Indigo dyeing as embodied practice for a more sustainable future
Black British History, Inclusive Teaching and Curriculum Reform
“The Unconditional Spectator”: Ethnographic Study of Adaptation in Theatre for Young Audiences
Negotiating virtual spaces: Exploring the intersection of young people’s behaviour and identity across virtual and physical worlds through ethnographic filmmaking
The Biocultural Diaspora of Tea in the 21st Century
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Developing a TV Drama for the Misrepresented: British Female Arab Actors
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
The environmental context, agricultural potential and location choices of Roman Villae in Italy
The Micro-Histories of Rural Romano-Egyptian Households
Milk to Gall: Representations of Angry Women on Page and Stage
“Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew