Asa Johannesson
The Queering of Photography: A Generative Encounter
The Queering of Photography: A Generative Encounter
Making reading fleshly: how can the body become a reading tool in the cognitive process of constructing meaning through movement, emission and mapping explored through interactive art works
The Science of Ghosts: Breaching the Psycho-Cinematic Frame
Kew’s Imperial Archive: Cataloguing Economic Botany in the Miscellaneous Reports, 1841-1928
Building a Nation: Consumer Culture and Design in SFR Yugoslavia in the 1970s
Attending to the physical body as material, a discourse on corporeal representation through the interdisciplinary field of dance. How can a somatic inquiry produce new images?
Expanded documentary, real-time news and the historicisation of the present
Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?
Shimmering the Screen - Surface tension and perpetual vacillation in the digital image
Vogue as Historical Code – Using moving image to explore how 20th Century history is materialised through fashion
Embodied perception and experience of scenography in live arts practices
Aesthetics of Water - Re-calibrating the perception of glacial water through audio-visual contemporary art practice
Active bodies difficult objects: The language of health and wellbeing in a new bio-political era
Hearing Plurality in Scripture: Using Sound Art Practice to draw out pluralities implicit in the ritual public reading of Christian Scripture
Tangible Changes in Intangible Cultural Heritage Preservation: Using experience-based co-design to inform cultural policy-making practice.
What is it if not right here? Questioning the sculptural object's constitution in representational media
Portals in the Urban Terrain: excavating the virtual ruins of rendered architectural propositions
The Bombshell Assembly Line: military-industrial materials research and the syntheticisation of women’s bodies in the USA. 1939-present
Slow Works - Deceleration as Curatorial Paradigm
Performing ‘Womens Work’: what constitutes a feminist performance score and how does it extend our understandings of contemporary art practices?
Exhibition design as an interdisciplinary practice for research and contamination: The context of Italian designers, 1960-1980
Sylvan Sounds: Exploring the Acoustic Forest through Visual Fine Art
Teaching design as a way to reclaim freedom from within hostile environments
Cool Sex (Sexe Cool); a practice-based investigation of autobiography and technology, through a century of feminist literature.
I am a Stylus: Play, Erase, Replay and Overdub as Strategies for Contemporary Fine Art Practice
Involuntary and Irregular: An interdisciplinary study of trembling, the trembling body and narratives of trembling through moving image practice
Defining new modes of architectural representation and proposition for politically contested architectural sites.
Between realism and the sublime: History in Cinema and Painting
Close to the Machine: Composing Digital Materiality through a Sonic Archive Practice
Like Someone Learning: Drawing and writing an autobiography of encounters with plants - a decolonial enquiry responding to climate emergency
The Postatomic Ear: A practice-based study of sound and atmospheric effects in the Nuclear Age
Constructing the architectural moving drawing: transdisciplinary practices between architecture and artists’ film
Activating the Document: strategies of critical proximity in archive based moving image work
Museums of Infinite Relations: artist's spaces, worlds and models of the universe
An Artist Explorer in Mathematics: Investigating Spatial and Sculptural Elements in the Communication of Topology
Feminine Singular: Post-Feminist Re-viewings of the Nouvelle Vague through Paule Delsol’s Lost Work
Les Ballets 1933: collecting, exhibiting and performing the avant-garde
Documentary films and National Identity: The use of State-funded Newsreels in the Creation of a New National identity in the Islamic Republic of Iran during the Iran-Iraq war.
Visible Resistance: Reframing Gender in Feminist and Queer Film and Video
An investigation into the aesthetics of community, collaborative and collective filmmaking in the UK focusing on the period 1968-1981
Knowing the Underground: Science, Exploration and Embodied Engagements with Subterranean Spaces.
Queering of Memory/Temporality/Subjectivity: Subversive Methods in Audiovisual Practice
Anamersion: Traversing Structurations of Organismic and Technological Individuation with and through Unica Zürn, Kathy Acker and Porpentine Heartscape
Archive Sub-versions: Photography, the Accident, and the Logic of Production
The immaterial Design Practice of Insurance from 1680 to the Present
Unruly Encounters: Restaging Images of Drone Warfare through an Embodied Art Practice.
Strategies of resistance in the digital space: a feminist performance
The Italian movement of Kinetic and Programmed Art: a relationship between Art and Science
Listening across history: Partition, coloniality and the oral archive
Carousel of Consumption: design and meaning of retail spaces as platforms for value co-creation in circular fashion systems