Charlotte Warne Thomas
Golden Age; On the contemporary agency of gold
Golden Age; On the contemporary agency of gold
Eadweard Muybridge: A study of his work and legacy through an inter-institutional evaluation of the Kingston Museum bequest and other collections
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Queer, crip live art in the post ‘trans tipping point’ era: an archive of affect
Voices from the Margins: The Cyborg Concept Album
Rhythm Divisions: An exploration of methods for collecting and curating British Youth Culture Heritage: music, archive, memories (1950 - 2020)
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
Exploring nature-fashion partnerships using collective crafting with Indian textile artisans
"Refuse to lose!" An ethnography of emancipatory culture and community space
Neuro-Gothic: a new history of madness
Refugee Art Dealers in London: New Artists, Networks and Approaches, 1933-1960
Lolita: Fashioning Identity, Liberal Selves and the City
Intersectionality in Contemporary Black British Women’s Short Fiction
'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction
Loss, a practice for making; catalysing new methods for movement practice and performance
Developing semi-permanent design displays in an era of rapid climate change
Sustainability in the Making: Craft Programmes for Socio-Ecological Change
Peripheral Visions: Reframing the margins in Film and Film Festival ecologies
Flipped Hierarchies: Exploring Narrative Metalepsis As A Radical Critical Tool Through Artists’ Moving Image Practice
Storytelling in Libraries: Making Community
From the Ground Up: An Exploration of a Purbeck Quarry’s Leftover Materials
A Design History of Technological Responses to Food Sustainability Challenges in the UK since 1970
Reaching to the stars: astrology and the body in the past, present and future
Memory’s Narratives: Considering Fernand Pouillon’s Architectural Approach to Historical Time.
Complexity Theory’s Potential For Creative Writing: Open Systems, Nonlinearity, Chaos And Emergence In The Twenty-First Century Trauma Novel
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.
The Real Monster in ‘Sleeping Beauty’: An Examination of Aurora through the ‘Faces’ of the Monstrous-Feminine
Modalities of the Absolute: Spinoza, Hegel, Marx
Playing the Fool: Reappraising foolishness through joyful, intersectional performative practice
Who is the Subject of Intersectionality? Intersectional Feminism and Structuralist Philosophies of the Subject
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
The garden as a site to cultivate queer anti-racist communities
Crisis of Ecology: The Co-Constitution of Science and Value
Fragmented Bodies, Fragmented Stories: Exploring Endometriosis Through Multidisciplinary Creative Practice to Challenge Cultural Narratives of Women's Pain
Archiving the Disaster: Preservation, Separation and Encounter
Dance and the re-articulation of value: Embodied pathways to sustainability
Rhythms of Making: Preserving Cultural Knowledge in Shanxi's Craft Communities - Tradition, Technology and Community Practice in Cultural Heritage
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Generative AI and Composing Musical Narrative
Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932
The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy
rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
It's Not the End of the World: Nonlinear Time and Neurodivergent Making
Sensory Experience in the Contact Zone 1876 - 1938
Parataxis and being within Cities - an investigation into minority experience and production of space within Dawson’s Height Estate
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive