Alastair Sherwood
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
The Violence of Vision: Wild Plakken and the Crisis of Dutch Political Identity, 1977–1996
Ways of Knowing: Multimodality in Violin Practice
'In Limbo': staging the gap between personal and public narratives of home of Georgian Internally Displaced People
Memorialisation and Posthumous Curation: The Displacing of the Victorian Voice, Corpse and Corpus in an Evolving Heritage Sector
Water-Bodied Poetics and Kinetic Translation
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Thinking Affectedly: The Question of Touch in Adorno’s Philosophy
The ‘Golden Chain’? - Tradition as a Philosophical Problem
Blithe Spirits: Absent British Women Couturiers – The Rahvis Sisters (1928 – 1981)
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Becoming-with-Animal: Ecofeminist Performance Practice in Contemporary Art
Rhythm Divisions: An exploration of methods for collecting and curating British Youth Culture Heritage: music, archive, memories (1950 - 2020)
Archiving the Disaster: Preservation, Separation and Encounter
Double Wound: Writing (Nepali) Women, Sexual Violence and Trauma
The 'Lost' Museum: The rise and fall of the British Empire in objects
Re-storying the city: applying urban perspectives to eco-storytelling
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification
Exploring the History of Black Women’s Mental Health Organising in Britain from the 1970s – Present Day
Clothing matters: Uncovering overlooked aspects of the Holocaust through Charlotte Delbo’s literary representations of garments
Queer as Friends: rewriting the platonic-romantic relationship binary between women
Collective Space: Feminist Film and Video Collaborations, Collectives and Organisations, 1970-1986 and their contemporary relevance.
Lolita: Fashioning Identity, Liberal Selves and the City
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
A Design History of Technological Responses to Food Sustainability Challenges in the UK since 1970
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Choreography as Curation as Hosting: Relational complexities and modes of production in an expanded field of practice
The Role of Keats House in the Twenty-First Century Reception and Reputation of John Keats
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
The Vocabulary of Touch: Encountering Otherness through Contact Improvisation
Fashion at Speed: Spectacular Histories of Fashion, Flying and Motorsport From the Twentieth Century Collections of Brooklands Museum 1907-1939
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945
Vibrational kinship: Resonances of moving, sounding and listening bodies
Documenta 11: Art's Global Entanglement
SOUNDING OUT IDENTITIES OF THE ARTIFICIAL VOICE