Akosua Paries-Osei
Pernicious Philanthropy: The legal and medical fetishisation of black female childhood
Pernicious Philanthropy: The legal and medical fetishisation of black female childhood
Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community
The Semantics and Pragmatics of Taboo Words
Glass architecture and photography in late nineteenth-century storytelling
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Modalities of the Absolute: Spinoza, Hegel, Marx
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
The cultural legacy of Paralympic media in Peru: Lessons from the Global South
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
Crisis of Ecology: The Co-Constitution of Science and Value
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
The Lied Voice as Feminine Writing
Human-Computer Counter-Choreographies
Dance and the re-articulation of value: Embodied pathways to sustainability
Who is the Subject of Intersectionality? Intersectional Feminism and Structuralist Philosophies of the Subject
Evaluating brand activism and social change across stakeholders
Experimental Book Arts: Re-interpreting the fluidities of Ukrainian identity in Eastern Europe, 1890s-1930s
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
Transforming through Cinema: An Interdisciplinary Approach to Reading Amy Greenfield’s Pioneering Films
“Priceless Gems of Living Thought”: Literary Encounters with Anarchism at the fin de siècle
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
Ghosts of the Al-Ghaib : A participatory, audio-visual exploration of haunting in Palestine
Can you hear us? A new model of East Asian students’ authorial voice in academic writing from a multilingual perspective
The Significance of Magazine Publishing for Black British Art
Modular Audio Description: Using the extended track to enable personalisation for different audiences
Speaking Truth to Power: A History of Galop and the LGBTQ Community's Responses to Violence
An Indigenous gaze: looking through and envisioning contemporary Indigenous visual representations in the Andean region
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Sensory Experience in the Contact Zone 1876 - 1938
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
A political-philosophical approach to the historical-legal relationship between colonialism and international law as a means of analysing the legal exclusion of indigenous peoples and the despotic state, in West Papua.
(Re)constructing from the margins: The role of alternative media in building the narrative and memory of social movements
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Resourcing Gypsy, Romany, Traveller trans youth in the UK: An exploration of intersectionality using heritage as a vehicle for empowerment
A Postcolonial Investigation of Desiring Homegrown Dating Apps in Contemporary India
Dance as Play: building and fostering relationships in a post-pandemic society.
Media representations and lived experiences of working-class women’s unpaid domestic labour
Transnational filmmaking and national identity in contemporary Cuban cinema (2000-2020)