Janhvi Acharya
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017
Towards a decolonized future examining the meaning of solidarity alliance in settler states
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Dismantling modern-day slavery: Learning from the lives of indentured brick kiln workers in peri-urban Pakistan.
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Listening in From the Museum
Queering the Simulacrum: How Can Generative AI Video Practice Be Challenged and Elevated Through Queer Expanded Cinema
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945
Between The Practice and The Pedagogy of Dramatic Writing: Towards A Cohesive Approach to Training The Contemporary Scriptwriter
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Contesting Narratives: Young people’s perspectives of school labels and the culture of youth in education and society.
The Margins of Instruction: Educating Children through Narrative in Mid-Nineteenth Century Britain
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Where are all the Lesbians? In search of Lesbian Lives in Museums.
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Economies of Natural History: Publishing Science in Victorian and Edwardian Britain
Empowering Displaced Children: Reimagining Urban Spaces with children
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Project: Overcoming the 'motherhood penalty': improving women's access to work in the UK
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
Duplicates, Dispersal and Disposal in Museums
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
"On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections
Knowing ourselves as embodied beings: Trans-forming Heidegger, Irigaray against Derrida
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
The music of speech: effort, expectations, effects and affect
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
The Theatricalization of Class in Performance, Policy and Practice.
Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens
Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya
Instituent Power: Social Structure and Political Practice in Roberto Esposito and Cornelius Castoriadis
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
De/Constructing Identity: French, Italian, and British Gay Liberationism in the Long ‘68
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
The Geographical Museum: Making Knowledge through Objects
The “Way Out” (chulu): Minority Education, Youth Aspirations, and the Good Life in Southwest China