Nichola Hall Clarke
In/visible dances: Commuters’ choreographies as social cartography
In/visible dances: Commuters’ choreographies as social cartography
The Margins of Instruction: Educating Children through Narrative in Mid-Nineteenth Century Britain
Art Biennials: Towards an Alternative Curatorial Logic
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
The Vocabulary of Touch: Encountering Otherness through Contact Improvisation
Choreography as Curation as Hosting: Relational complexities and modes of production in an expanded field of practice
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Developing a TV Drama for the Misrepresented: British Female Arab Actors
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Sounds from Outside: Mapping Transnational Communities in Contemporary Experimental and Exophonic Poetry
Who is the Subject of Intersectionality? Intersectional Feminism and Structuralist Philosophies of the Subject
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Conditions of Receptivity: Intimate, Indeterminate and Interminable Cinemas of Encounter
Collective Space: Feminist Film and Video Collaborations, Collectives and Organisations, 1970-1986 and their contemporary relevance.
Transforming through Cinema: An Interdisciplinary Approach to Reading Amy Greenfield’s Pioneering Films
The First Step or Short Vision?: The Influence of the British Film Institute on British Women’s Filmmaking
Water-Bodied Poetics and Kinetic Translation
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Queer as Friends: rewriting the platonic-romantic relationship binary between women
The Weaponization of Beauty: British female film stars and the struggle for women’s agency 1938-1948
Where are all the Lesbians? In search of Lesbian Lives in Museums.