Luke Beesley
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
Autoethnographic exploration of resistance to anti-gay legislation in 80s/90s Brighton.
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Crafting counter-hegemony: using porcelain to interrogate constructed ideologies of whiteness and empire
A Postcolonial Investigation of Desiring Homegrown Dating Apps in Contemporary India
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Stories Rising to the Surface: Engagement with the Apna Heritage Archive and Punjabi Workers Collection
Sensory Experience in the Contact Zone 1876 - 1938
Reading as Consumption: Liseuses and Lectrices in the Early Third Republic in France
The Significance of Magazine Publishing for Black British Art
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Black, British and Feminist: The History and Legacy of Ceddo, Sankofa and the Black Audio Film Collective
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
The Postatomic Ear: A practice-based study of sound and atmospheric effects in the Nuclear Age
Italian Blackness: Decolonising the former Museum of the Colonies
'Ulster Television in the 1960s: the unknown history'
Changing Places: Evaluating the socio-cultural impact and experiential change of the new Museum of London in Smithfield
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Aphasia, Reassembly and Resemblance in the Black British poetry of the 21st Century
Examining the impact of multisensory language on perception and experience: how can botanic, horticultural or historic gardens use audio description to enhance access for all visitors?
Modalities of the Absolute: Spinoza, Hegel, Marx
The Listening: fictionalising fugitive voices and fragmented lives in the slavery archive